
Erich Wolfgang Korngold - Die Tote Stadt
Jan 01, 2012 · 2h 2m
Director
Götz Friedrich, Brian LargeOverview
In 1920s Germany, Erich Korngold's work was considered “degenerate” and banned. Eventually, in 1934, he left for Hollywood. There, he made a name for himself as a film composer and only rarely wrote great works for the stage. Many of his quite successful operas, composed between 1913 and 1927, stopped being performed after World War II. Among these was his perhaps most significant work, Die tote Stadt (“The Dead City”), which was performed again for the first time after a long hiatus in 1955 in Munich. Further productions followed. Nevertheless, Götz Friedrich's version of 1983 for the Deutsche Oper Berlin was only the fifth new production of the opera after 1945.
Cast of Erich Wolfgang Korngold - Die Tote Stadt
Crew of Erich Wolfgang Korngold - Die Tote Stadt
About Erich Wolfgang Korngold - Die Tote Stadt
What is Erich Wolfgang Korngold - Die Tote Stadt about?
In 1920s Germany, Erich Korngold's work was considered “degenerate” and banned. Eventually, in 1934, he left for Hollywood. There, he made a name for himself as a film composer and only rarely wrote great works for the stage. Many of his quite successful operas, composed between 1913 and 1927, stopped being performed after World War II. Among these was his perhaps most significant work, Die tote…
When was Erich Wolfgang Korngold - Die Tote Stadt released?
Erich Wolfgang Korngold - Die Tote Stadt was released on January 1, 2012.
How long is Erich Wolfgang Korngold - Die Tote Stadt?
Erich Wolfgang Korngold - Die Tote Stadt runs 2 hours 2 minutes (122 minutes).
Who directed Erich Wolfgang Korngold - Die Tote Stadt?
Erich Wolfgang Korngold - Die Tote Stadt was directed by Götz Friedrich and Brian Large.
Who is in the cast of Erich Wolfgang Korngold - Die Tote Stadt?
The cast of Erich Wolfgang Korngold - Die Tote Stadt includes James King (Paul), Karan Armstrong (Marietta), William Murray (Frank), Margit Neubauer (Brigitta) and Sylvia Greenberg (Juliette).



