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The Merchant of Venice - Bregenzer Festspiele

The Merchant of Venice - Bregenzer Festspiele

Aug 26, 2014 · 2h 45m

Director

Keith Warner

Overview

Set in Venice during the Renaissance, the drama centres on Bassanio, a young nobleman who would like to court the beautiful Portia but doesn‘t have the money to travel to her country estate, so he asks the merchant Antonio for help. Antonio‘s wealth is tied up in maritime trade but he offers to procure the sum Bassanio needs from the Jewish money lender Shylock. Shylock hates Antonio for being so contemptuous in his treatment of Jews, and therefore stipulates that if the debt is not repaid within three months, the penalty will be a pound of Antonio‘s own flesh...

About The Merchant of Venice - Bregenzer Festspiele

What is The Merchant of Venice - Bregenzer Festspiele about?

Set in Venice during the Renaissance, the drama centres on Bassanio, a young nobleman who would like to court the beautiful Portia but doesn‘t have the money to travel to her country estate, so he asks the merchant Antonio for help. Antonio‘s wealth is tied up in maritime trade but he offers to procure the sum Bassanio needs from the Jewish money lender Shylock. Shylock hates Antonio for being…

When was The Merchant of Venice - Bregenzer Festspiele released?

The Merchant of Venice - Bregenzer Festspiele was released on August 26, 2014.

How long is The Merchant of Venice - Bregenzer Festspiele?

The Merchant of Venice - Bregenzer Festspiele runs 2 hours 45 minutes (165 minutes).

Who directed The Merchant of Venice - Bregenzer Festspiele?

The Merchant of Venice - Bregenzer Festspiele was directed by Keith Warner.

Who is in the cast of The Merchant of Venice - Bregenzer Festspiele?

The cast of The Merchant of Venice - Bregenzer Festspiele includes Christopher Ainslie (Antonio, a Merchant of Venice), Charles Workman (Bassanio, a friend of Antonio), Adrian Clarke (Salarino, a friend of Antonio and Bassanio), Jason Bridges (Lorenzo, in love with Jessica) and Adrian Eröd (Shylock, a rich Jew).

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